The generally positive response his pictures received reflects the zeitgeist of technological optimism of the 1960s (O'Hanrahan 2005). Henry and his first drawing machine were to be featured in this magazine, but the article was scrapped following the assassination of US President John F.
#Kaleidoscope drawing machine series#
It was this London exhibition of machine-produced effects which led to Henry and his first drawing machine being included in the first ever programme in the BBC's North at Six series and to his being approached by the American magazine Life (O'Hanrahan 2005). This London exhibition was his prize for winning the "London Opportunity" competition.
Lowry insisted Henry also include some machine drawings alongside his photo-chemical ones, in the London exhibition of August 1962 called "Ideographs" (O'Hanrahan 2005). This led to Henry having "the world's first ever one-man machine show" (Henry) at Salford Art Gallery in July 1962. Here it was Lowry first saw Henry's Drawing Machine 1 in action. As one of the competition judges, Lowry visited Henry's home in Burford Drive, Manchester, to view his range of artistic work. Lowry knew how crucial such a London show could be in bringing an artist to public attention.
The prize for winning this competition was a one-man exhibition show in London at the Reid Gallery. Frape, that Henry's artistic career was launched in 1961 when he beat a thousand contestants to win a local art competition at Salford Art Gallery, entitled "London Opportunity." The picture that won Henry this prize was one based on his own photo-chemical technique, and not a machine drawing. Lowry, working in collaboration with the then director of Salford Art Gallery, A. These later machines however, were based on a mechanical pendulum design and not bombsight computers (O'Hanrahan 2005). He went on to make a fourth and a fifth drawing machine in 19 respectively. Henry's machine-generated effects may therefore also be said to represent early examples of computer graphics: "the making of line drawings with the aid of computers and drawing machines" (Franke 1971, p. 41).ĭuring the 1970s Henry focused on developing his Cameraless Photography experiments.
#Kaleidoscope drawing machine windows#
Henry's machine-generated effects resemble complex versions of the abstract, curvilinear graphics which accompany Microsoft's Windows Media Player. During this period, Henry constructed a succession of three electro-mechanical drawing machines from modified bombsight analogue computers which were employed in World War II bombers to calculate the accurate release of bombs onto their targets (O'Hanrahan 2005). He was one of the first British artists to experiment with machine-generated visual effects at the time of the emerging global computer art movement of the 1960s (The Cambridge Encyclopaedia 1990 p. 289 Levy 2006 pp. 178–180). Elaine, born 1957.ĭesmond Paul Henry (1921–2004) was a Manchester University Lecturer and Reader in Philosophy (1949–82). Is Netflix really shuffling the episodes, and will things really play out all that differently if you watch them out of order? The short answer is “Yes.” And to prove it, I intentionally jumped around from the episode order I was presented so I could test Netflix’s proposition.Anne-Marie, born 1948. Some might think of this nonlinear structure as a gimmick, superficial trickery used to hook viewers and convince them to watch all the way to the end without suffering binge burnout. There are no episode numbers, with each installment instead paired with a color code: “Yellow,” “Pink,” “Orange,” “Blue,” “Green,” “Violet,” and “Red.” “White,” the series finale, is placed at the bottom of the order for every user Not only that, but each Netflix subscriber will have their episode order presented to them in a different sequence. See, Kaleidoscope is created so that its first seven episodes can be watched in any order. It’s a clever tactic, one that effectively builds on the show’s unique watch experience. There are vivid colors and hidden secrets everywhere you look, making each episode its own hypnotic guessing game. 1, is intentionally designed with shiny distractions that keep your eyes darting about. Netflix’s latest limited series, which launched Jan. Kaleidoscope, like its namesake explosion of fractals, has plenty of beautiful things to look at-and I don’t just mean Jai Courtney, one of the members of an elite heist team put together to break into a bank vault for the $7 billion score of a lifetime.
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